wings of time

Hi everyone, Ann here today, sharing an ATC shrine that I call "wings of time."
From the moment I set eyes on the ATC Shrine-Time, I envisioned a Fornasetti face within the circular clock area of the door, but I was unsure where I would take it from there. I put off working on the project for a while and finally decided that it would be best to simply start and see where it would lead...
I apologize for the lack of process photos in this post, it seems once I started working, I was so intent on creating that I forgot to stop and capture all the steps. My hope is that my description is easily understandable.

I begin by painting all the pieces of the ATC Shrine-Time black. Then I locate the image that I intend to place within the clock face. I trace the outermost edge of the circle (clock) shape onto the graphic and fussy cut. A piece of black cardstock is adhered to the reverse side of the image so that when the door to the shrine is open, it will appear as a solid plane. Before adhering the face piece, I emboss the clock hands on the shrine door. This is easily accomplished with a VersaMark pen and gun metal embossing powder. I heat set the powder on the exterior surface and then complete the same process on the inside. I let the embossing cool and then adhere the image that has been cut to size in place.  Once the iconic image is set, the project seems to direct itself.

I know that at some point I would like the shrine to be functional, a place to store artist trading cards. For this reason, the interior of the shrine is not embellished with protruding objects. Everything inside is kept fairly flat. The rear panel of the shrine is covered with a piece of black and white tweed pattern paper. I ink the paper with hickory smoke and milled lavender distress ink to coordinate with the Fornasetti image. A sentiment is layered onto wilted violet oxide-inked cardstock and attached to the back panel reading "REMEMBER YOUR WINGS."
A stamped and colored butterfly is attached to the solid black circle on the inside of the shrine door. The butterfly's body is an embossed clock hand from the GSLC Steampunk Shape Set.

The Rear of the shrine contains a Gypsy Soul Laser Cuts Butterfly of Gears. I love this chipboard piece. It is sold as a set of two identical butterflies, I am only using one for this piece, but I already have a plan for the second butterfly.

The butterfly has been painted with seedless preserves distress paint and then dipped in wilted violet oxide ink to create a beautiful finish. Some of the steampunk cogs and gears are embossed, as well as the body, and tips of the wings. I use the same method that was used for the shrine's clock hands, a VersaMark pen and gun metal embossing powder. When the embossing has cooled, Ideaology metal embellishments are adhered to the butterfly with collage medium. Once the collage medium is dry, the butterfly is attached to the rear panel with collage medium and set aside.  A big chat "FLY" sticker is inked with wilted violet oxide ink and then attached below the butterfly.

I secure a ball hitch through the circular opening on one of the clock hands of the shrine door. This becomes a knob that allows easy access to the shrine's interior. I also emboss four wooden beads and attach these to the base of the shrine to raise it up off the surface it stands on. The crown atop the shrine is another piece from the Steampunk Shape Set. This set has so many pieces, I find myself reaching for it often to use on my projects. The crown has been colored with wilted violet distress oxide and then splattered with seedless preserves paint. The tops and back side of the crown has been embossed with gun metal embossing powder.

I really like the way that this ATC shrine turned out. The Gypsy Soul laser cuts store has many different ATC Shrine styles, from nautical, to steampunk, and everything in between. It's definitely worth checking out! I hope that you are inspired to create something of your own, perhaps something that you have put off because you are unsure of how it will turn out. You will never know if you don't start somewhere.

Thanks so much for stopping by the blog today,
 I really appreciate you taking the time.
~Ann

Gypsy Soul Laser Cuts used:
ATC Shrine - Time
Butterfly of Gears
Steampunk Shape Set

She has butterflies in her stomach

Hi Guys,
Jess here today.

I recently got this cool Art Doll Nicho(coming to the store soon) from GSL and immediately thought I needed to put butterflies in it.


The doll comes in three pieces. I started by cutting a dress out of a bright bold patterned paper and glued it to the main body piece. Then I was stumped.  I realized I don't do bright often.  So I tore that dress off and went with a more neutral paper (read grungy).  Once I did that she really started to come together.  The paper was splattered with Black Soot Distress Paint.  The edges were inked up using Distress Ink in Pumice Stone.  The gold is Dina Wakley Gilt(this is quickly becoming my go to gold color).

 The large butterflies on her dress are from the Tim Holtz French Flight stamp and die set.   I cut them using mop up paper I had on my desk.  The tiny key centers are from Ideaology.

  The large wings were die cut using the Fanciful Flight Die using the same mop up paper I used to cut the small butterflies.

Her arms are from the Santos Doll.  They are painted with Dina Wakley Gilt.  Then stamped using the Blank Page Muse Correspondence Script stamp in Black Soot Archival ink.   I used craft thread to make the joints and attached them to the body using a strong glue.

The second piece of the doll is the head.  It's really just a circle that you can use to support the head of your choice.  I had this art doll sheet from Art Chix Studios and used one of them.  I gave her a halo using the Medallion Impresslit.  Some teeny butterflies finish her halo.  I wanted to give her a little necklace since the doll head has a long neck.  I used some chain from the Tim Holtz Assemblage line to make her necklace and the pearl dangle. The butterfly is a another one from the French Flight set.

  The last piece is the little belly box that needs to be folded up.  The box is tiny.  Use a good strong glue to keep it together.  I painted the inside using Peeled Paint Distress Paint and added a flowery paper to the back.  The butterflies were cut using the Tim Holtz Butterfly Frenzy die.  I spritzed several colors of Distress Oxide ink on my gel press and used a piece of vintage book paper to pull my print.  Once the paper was dry I ran it through the Vagabond.  The butterflies were glued down to fill the cavity.  There are a couple teeny butterfly brads in her belly too.

The legs are vintage ceramic doll legs.  I poked holes into the belly box and ran craft thread though to keep them on the box.  They are tied on so they can dangle and move.

I hope you like her! 

Jess

taming creative chaos

Hi everyone, this year one of my goals is to tame the "creative chaos" by getting my studio space more organized. I spent some time at the beginning of the year cleaning, organizing, and quite honestly, simply putting things where they belong. It seems that the more creative I am, the more of a mess my studio space becomes and the harder it is to find things that I have set aside for a specific purpose. To that end, I need a place to keep all of my handmade cards. I seem to have quite a pile and yet when a birthday or holiday rolls around, I am always searching. 

Today I am sharing this Gypsy Soul Laser Cuts organizer with you. There are so many ways that it can be used. The trim organizer is very generous in size. The base measures 11" by 5" and has a central divider creating two equal compartments. These compartments easily fit A2 cards, and even slightly larger. The organizer comes with 12 dividers. These are shaped like flat bobbins, so could technically be used to store ribbons or trim; however, I am using them as simple dividers between types of cards. The box arrives arrives flat (6 pieces) and requires assembly. The twelve bobbin cards can be used as bare chipboard or finished with paints or papers as I have.

I always find it easiest to test assemble the piece, this way I can better understand what areas will be visible as well as facilitate the order in which things should be glued. I sort through my paper stash and select a design that I think will work well for my purpose. The interior surfaces can be covered with smaller sized pieces; however, a 12x12 sheet will work best on the long exterior sides (one sheet will cover both the front and the back.)

Before I begin adhering my chosen papers, I paint all of the edges with black soot paint. This will create a finished appearance along the edges where the different papers meet as well as conceal any cuts that may be just a bit too short. Then I begin cutting the papers to size. Oftentimes, when there are multiple sized pieces and they are close in size, I turn them over and give them a designation (letter or number) then also write that onto the chipboard at the location it will be adhered. It helps to keep everything from getting mixed up when it is time to assemble.

I like to add may papers to the Chipboard pieces white they are flat. I find it easier to adhere the papers correctly and, when necessary, weigh them down until dry to keep the edges from curling. On this particular piece, I realized that it would work better to attach the two long exterior paper pieces after the box was assembled. There are no "right" and "wrong" ways to assemble the Gypsy Soul Laser Cut pieces, generally whatever works best for your project. The main piece of advice I always follow is: to ensure the tabs are able to connect easily, do not cover with paper, the added thickness generally does not allow for the tabs to insert into one another.

Once I have all of my paper pieces adhered to the interior surfaces of the box pieces, I begin to assemble. I spread clear, quick dry multi-purpose glue on the tabs and flat areas to be joined, then insert the tabs into the corresponding slots, beginning with the central divider. Next, I attach the front and back box sides and clamp together at the central divider until dry.

The final pieces I assemble are the two end pieces. I use clamps to secure these as well; however, it is not necessary.

With the box assembled, I add the final papers to the front and back exterior sides. (Note: I always ink the edges of any cut pieces so that the white does not show.)

I consider adding feet to the base of the box for a more decorative look, but decide on adding a piece of crafting felt to the very bottom of the organizer. This will allow the box to be situated on a solid or wire shelf, as well as protect any surfaces that it will be set upon. Once assembly is complete, it is time to begin work on the bobbins. 

 My original thought was to divide by months of the year (there are 12 dividers/months), but I believe what would work best for me is to sort by occasion or theme. To this end, I keep the dividers simple. I have learned over the years that my storage solutions are often evolving and this will allow me to change things up easily (if necessary) at a later date. I select some of my favorite worn wallpapers, and paper stash designs for the bobbins. The edge of each bobbin is painted with black paint and allowed to dry. One side of the bobbin is coated with collage medium, I secure the desired paper in place, and weigh down until dry. Once dry, I trim the paper edges with an Exacto knife. All of the bobbin pieces are covered on both the front and back sides.

 

I finally have a special place where I will be sorting and storing miscellaneous cards I have made. There will be no more searching amidst the piles, only flipping through my organizer to find the correct one.

I hope that you are finding time to get creative this year, I have found that even in organizing there are ways to exercise my creativity. Thanks so much for stopping by, I truly appreciate it.
~Ann
  xx


Gypsy Soul Laser Cuts:
trim organizer

Dreaming of a White Christmas

Hi Everyone,

 

My favorite day of the year is coming up.  Each year my mum and my  sister come to my house for cookie day.  We bake all day long, I'm talking like 7am-9pm.  We have our favorite recipes we use year after year.  We keep those in a little notebook.  We do like to try new recipes each year too.  More and more often we are finding new recipes on the internet.  I thought it was the perfect time to make a Christmas themed phone/tablet holder so we don't get baking supplies all over our phones.
 These phone holders are so easy to put together(there are only three pieces). They would make an awesome gift!

Paint the base white.  Make sure the edges and at least one side are really well done since they will be exposed.  Paint the edges of the other pieces white too.  The other two pieces get covered with patterned paper.  I used some of the Tim Holtz Christmas wallpaper to cover the back piece.  This paper looks and feels like real wallpaper.  It's nice to add the tiny bit of texture to the project.

These snowy flourishes are coming to the shop soon.  You get two in a pack.  Paint both pieces white, then cover them with a clear glitter.  

Insert the pieces into their slots. Don't forget to add a bit of glue to hold them in securely.   Technically your piece is completely put together at this point.  But we will embellish this! Glue the snowy flourishes to the back of the piece.  Then cover the base with Grit Paste from Ranger.  While the paste is wet sprinkle on clear glitter.  Leave the space where your phone will sit paste free.  

Paint a tiny resin snowman and cover him with clear glitter.  Add teeny mercury glass holly berries to his hat.  While the grit paste is wet stick the snowman in the paste.  In front of the small piece of chipboard add a Christmas saying.  Again, do this while the paste is wet and it will dry in place.  

On the back add a couple bottlebrush trees, teeny presents, a deer, and peppermints.  Another Christmas sentiment will complete your project. 

I hope you have a great kick off to your holiday season!

Jess

Creepy Critter

Hi Everyone,
 Jess here today.

 I promise next month I will get back to doing step by step photos for you.  Work has been a bear lately and I have hardly had any time to create.  I wanted to get a bit spooky though.  It's cooling off around here-it's been under 100 degrees at least twice!

To begin cover your Reliquary- Arch Top with a thin layer of gesso.  Then layer on your inks.  It is key to allow time for each layer to dry naturally to achieve the faux marble look. Using your blending foam, apply a layer of Pumice Stone Distress Ink and then add a bit of Espresso Distress Ink.  Spritz these layers with water.  Once they are dry add Distress Oxides in Iced Spruce, Hickory Smoke, and Black Soot.  These are applied one at a time and spritzed with water.  I switched back and forth between using the blending foam and just stamping the pad directly onto the arch.  Using the pad I was able to get some veins in the marble.
Add your paperdoll and bunny head charm.  Set the piece aside to dry.

Cover the Extra Large Tag with a piece of patterned paper.  Use Distress Oxides in Hickory Smoke and Forest Moss to get the mottled effect.  Edge the tag using Walnut Stain Distress Ink.  Socre the bottom of the tag to create a bend. 

Use the large piece from the Layered Flourish Aria.  Paint the back piece using Tarnished Brass Distress Paint.  Paint the front piece using Sterling Distress Paint.  When the paint is dry pounce on Alcohol ink in Patina, Mushroom, and Latte.  Glue the two pieces together and adhere to the top of the tag.  

Using the same colors of Alcohol INk color your gravemaker and attach to the arch using brads.  Glue the arch to the bottom of the tag.  

Cover the base of the tag with moss and add some skulls and bones.  Paint the Meadow Flowers using Forest Moss DIstress Paint.  Stipple on the same alcohol ink color you used before.  Cut the flowers in half and adhere them to the back of the Reliquary- Arch Top.  

Your creepy masterpiece is complete!

I hope you enjoyed this creepy tutorial.

Jess

Stay Curious

Hello, Jennalee here today. When I saw this ATC Shrine I knew it would make the perfect housing for an assemblage. A little faux rust and a few gears and your piece is well underway. 

Begin by preparing a faux rust background. Cut to size and run thru Xyron. Adhere faux rust pieces to the back sides of ATC Shrine pieces. Use an Exacto knife to trim notches. 

Adhere faux rust piece to the border of the ATC Shrine door. Emboss clock face with Burnt Copper Leaves and clock hands with Charred Gold. Paint the back of the shrine door with Raw Umber acrylic paint. 

Prepare background for the inside of shrine by embossing a piece of gold paper from Tim Holtz's Paper Stash Metallic Kraft pad using the Mechanics 3D Texture Plate. The secret to getting a good impression is to mist your paper with water before running thru your machine. Once embossed lightly sand and ink with Frayed Burlap Distress Ink. 

Cut background to size and run thru Xyron. Adhere background to inside pieces of the shrine. Be sure to leave the tabs uncovered so your shrine will fit together correctly. 

Assemble shrine. I used Distress Collage Medium to adhere all the joints. 

Add finishing details. Using a drill punch add a hole to the side of the shrine to attach an Idea-ology Clock Key.  Adhere round ephemera piece from Layer Collector pack to shrine using foam dots. Add detail to the background with Mini Gears. Adhere a Paper Doll using two foam dots stacked for extra dimension. Fashion a cane from a Game Spinner and layered Mini Gears. 

Look at that faux rusty goodness on the back of the shrine!! 

I really love this ATC Shrine. The clock on the door was the perfect inspiration for this make. 

Thanks for stopping by!! I hope you have a great weekend and get a chance to make a creative mess. Happy Creating~ Jennalee