Monday, September 21, 2020

specimen shattered


Next week I will begin decorating the house for Halloween. For me, this is the best part of the holiday. I have a china cabinet in the dining room which I convert into a creepy cabinet of curiosities.  I thought it would be fun to make a piece to add to my curiosities. Using the Gypsy Soul Laser Cuts 6x6 shadowbox as a base, I created the specimen box. Some shards of mica formed the perfect "shattered" enclosure.


As mentioned, I begin with a 6x6 shadowbox kit from GSLC. The eight piece kit arrives flat. It's a good idea to wipe down the edges of each of the sections before getting started, to remove any residue from the laser cutting process. Any soft rag or paper towel will do the trick. Once the edges have been wiped clean, I like to test assemble the piece (without any glue) to familiarize myself with how it all works. This also helps me to formulate a vision for my final piece. 


I coat all the edges of the pieces, as well as areas where dividers are located, with a light coat of dark brown paint. I plan on adding dimensional woodgrain embossed papers to the outside of the box so that it will look as if the box is made of wood. Having the edges painted a dark brown will ensure that the faux finish is more believable. I also like to coat the interior corners with a dark color so that when the decorative paper pieces are attached to the interior, any unintentional gaps do not show.

I set aside the box pieces to dry and begin working on the interior papers. I begin with a piece of scrapbook paper that has subtle markings and appears aged. I add ink and some random script stamping onto the paper to give it even more dimension, this paper will be used to cover the inside base of the box. A coordinating paper is cut into strips that equal the depth of the box. These strips are inked around the edges with the same ink that was used on the background paper. When the painted edges are completely dry, I use glue along tabs and edges and form the box.

I measure each of the box compartments and cut the base papers to fit, making sure to ink any cut edges. I label the backs of the papers with a letter designated for each compartment. Typically, the three smaller sections will all be the same size; however, the designation allows me to know which "specimen" stamp will be used in which compartment. Using a stamp platform and black archival ink, I stamp the selected "specimen" in the center of the cut paper. I also stamp each image onto a piece of clear acetate with black StazOn ink. The acetate images are set aside to dry.

The next step involves creating the faux wood box exterior. Using a 3D embossing folder and some damp mixed media paper, I run the paper through the diecut machine to add the embossed woodgrain texture. These pieces are then inked, painted and coated with various mediums resulting in a true "wood" look. I make sure to incorporate some of the paint color that was used on the base box to ensure that the transitions are seamless. The wood grained papers are cut to size and attached to the box sides and back with collage medium.

With the main images in place for each section, I am able to visualize where I want to add rub-ons  and additional stamped images. I want the compartment to appear as if the base papers were taken straight from journals or documentation related to each specimen. I add date stamps, signatures, numbers and various other markings. When I am satisfied with the look, the papers are secured in place with adhesive. 

When the StazOn ink is completely dry, I turn the stamped acetate pieces over and use alcohol ink to color the images. When dry, I cut out each image, being careful to get as close to the edge as possible without compromising the image. These acetate images are then attached above their respective stamps within the box. I only attach the acetate pieces along the thorax/abdomen. This allows the wings to be folded upward  enhancing the dimensional effect. 


 The final step in the process is adding shards of mica to the exterior edges of the box. I use a strong, clear drying glue along the edges where the mica touches and then add a weight on top while it dries. You can add as much or as little mica as you want to achieve the desired look. I love how the largest piece spans across the compartments, yet still leaves random areas uncovered.

I hope that you have been inspired by this piece to perhaps create your own themed piece, It is always a lot of fun making pieces that can be displayed year after year.

Thank you so much for taking the time to stop by today, I truly appreciate it.

~Ann   


Gypsy Soul Laser Cuts used:   6x6 Shadowbox

 

Friday, September 18, 2020

Ectomobile Reimagined

Happy Saturday, everyone! I've had one of the incredible GSL Funeral Coaches for a while and couldn't decide how I wanted to finish it. I kept flipping back and forth between painting it black and trying to make it authentic to the late 1800's vs. making it into something really unconventional like a doughnut delivery vehicle. Once I got into my head that it's basically a hearse, I hit on the idea of turning it into a funky version of the Ghostbusters' Ecto-1. 

To get started, I set aside the wheels and chassis and laid out all of the pieces that form the coach's body. This makes both assembly and planning out which pieces need to be painted what color very easy.

I used white, black and red paint for the coach. Here are all the pieces with the exception of the wheels which were painted black with metallic for the spokes. 

Here is the main part of the coach's body assembled using a bit of tacky glue.

The ectomobile carries a lot of equipment on it's roof. I used the base of a GSL Suitcase 2.4 Inch for gear storage.

Finding stuff for the roof rack was pretty fun. I ended up using an Altoid tin, spent CO2 cartridge, some wooden beads, acrylic bits, spool, wire, light bulbs, sewing bobbin, and a black lego. The amber lights were made by gluing large rhinestones onto flat square silver beads. The satellite dish is made from a flower nail, which is the base you use when piping flowers from frosting.

I fretted over how to make a red light working only from stash then found a jar of these vase filler acorns. When you set a red one inside a polymer clay base and add a split key ring, I think the effect is quite convincing. 

The vehicle needs a companion to ride along. I sculpted a Slimer out of polymer clay. Here is an in-process picture.

I glued the chassis in place, added some signage and it's ready to roll.

Thanks for stopping by!

GSL Products Used

Funeral Coach

Suitcase 2.4 Inch

Other Supplies Used 

Tacky glue

Acrylic paint
Polymer clay
Printed images
Bits & bobbins


 

 


Wednesday, September 16, 2020

A card with love

Hi everyone!
Myry again and today I gonna show you how to make this lovely card.
This month is my wedding anniversary and I was thinking to make a gesture towards my husband.
This beautiful heart caught my eyes indeed!
So for our base we need one white cardstock piece of 15'5x31cm (7⁄64" x 12 13⁄64") and two scrap papers of 15x15cm (6"x6"). Glue them after choosing how the card will open. Optionally you can glue another two scrap papers inside the card.
If you don't like the dark color of the chipboard you can lighten it with a lighter tone, like this cream.

Glue the chipboard to a piece of scrap paper that harmonizes with the ones chosen for the base... 
...and cut the edge. At first I wanted to use both parts but in the end I only used the main one.
So to give volume we are going to mke another base with one white cardstock pieces of 13'5x13'5cm (5 5/16"x5 5/16"), one scrap papers of 13x13cm (1/8"x5 1/8") and 3D foam tape.

Carefully pass the folder over the entire base so that it sticks well.
Choose all the elements that you'll need to decorate the card.
Before gluing the chipboard and other elements use a piece of cardboard to give more volume and stability to the heart.
Now put all the elements in their place and give the last touches with white paint.
Easy peasy! 
And what happened to the other part of the heart?? See here!
I hope I've given you some idea. Bye!

Gypsy Soul Laser Cuts items used:

Other items used:
Scrapbooking paper
White cardstock (250gr) and a piece of cardboard
Glue, 3D foam tape, scissors and scoring/folder tool
Flowers, leaves and butterflies
White acrylic paint and dots

Friday, September 11, 2020

Autumn Sunset Bracket Edge Double Mini

Nestle up to the autumnal warmth of beautiful butterscotch, elegant linen, and rustic bronze in Frank Garcia's Autumn Sunset Collection for Prima Marketing. Delicate florals and classic gingham patterns line the scrapbook papers, foiled accents, stickers, and harvest flowers. Perfect for capturing pumpkin picking, warm apple cider with family, and every pumpkin spice latte of the season.



Gypsy Soul Laser Cuts Double Bracket Double Mini: Precision laser cut from .022 chipboard.  Easily fold and glue together pieces to create an adorable standing folder enclosing two 4 page mini books. Assembled product measures 6.5 x 7 x 2.5 inches. Ships flat. Assembly required.



A template was included in the kit so the paper mats are the exact size. 




I double matted the pieces with ivory cardstock and the Prima paper.




The mini albums went together perfectly.  They are two pieces of chipboard adhered together at the spines.




These are the finished mini albums.  I used some cotton lace on the minis.




I used the same cotton lace on the pockets and some embellishments from the paper line.




Some of the pages were left blank for pictures and some had journaling cards that were matted and had one side open for tags or pictures.




Other pages in the minis:



















The back of the album:




I used Gilder's Paste on a piece from the Tudow Rose Singles for the front cover.





I punched a hole in the front cover and the back cover and tied the album together with ivory satin ribbon.




The flowers were from the paper line embellishments.




Items used:

Frank Garcia Prima Autumn Sunset Paper and Embellishments