Saturday, February 23, 2019

She's Got a Ticket to Ride by Betsy Skagen

What does your creative process look like? For me, some vintage Silver Star tickets sitting on my desk reminded me of the old Beatles song. That inspired me to search through my stash to find the perfect saucy woman.

A lingerie model from a 1940s magazine and several elements from Gypsy Soul, including a silver star,  set me on the path to create this mixed media / altered art wagon.


Tutorial: How to Create a Retro Mixed Media Wagon.

Begin by covering a shallow box with black gesso.
On cold press watercolor paper prepare a multi-layered mixed media background using acrylic paints, dry brushes, stencils, inks and other mixed media tools. 
Use an embossing ink pen and a stencil to create the rocket cone. Add Deep Sea Baked Texture and activate with heat gun.
Cut your newly created mixed media paper to fit the inside of your box. Score where it will fold and make corner slices so you can create the box shape. Below I am showing the messy back side ( I am never a tidy crafter!) of the mixed media water color paper so you can see how I scored the paper and cut the corners.
After making sure your paper fits inside the box, Fold the paper into a rectangle, add glue and let dry.
Use paint or a marker to color the edge of your paper so that you won't have a glaring white edge.
Depending on the size of your box, you may want to trim the wheel axels so that they don't overwhelm your project.
Then cover all of the chipboard pieces--Ticket StripsStars String AlongsWheels, stars from the Celestial Shape Sets and a rectangle from the Four Panel Door with black gesso. When dry, paint the stars with metallic silver paint.

Select a paper straw that will fit through the axel and wheel holes and four washers that also fit. Paint the straw with black gesso. When dry cut the straw to fit the axel base.
Attach black Tyvek to the axels so you can strengthen the bond between the alexs and the box. I just love black Tyvek. You can use it for so many purposes such as creating incredibly strong folding hinges on books and journals. I used to color white Tyvek envelopes with a black marker until I found that I could purchase a black version of it.
Ink the Star String Along with embossing ink, cover with silver embossing powder and use a heat gun to activate it.

Punch a hole in the top of your mixed media paper box and thread the star through it. Cement the star in place with strong adhesive tape.
Adhere your mixed media paper box inside the cardboard box.

Using a strong glue like Beacon Fabrfi-Tac, adhere the axels to the bottom of the box. Slide the straw pieces through the axel, add the wheels and glue the stars from the Celestial Shape sets onto the straws. Add the chipboard rectangle to the front of the box to create a handle or carriage coupling.
Fussy cut a vintage lingerie model, adhere to black cardstock and cut around the image. Use a metallic silver paint pen to paint her shoes silver.

Tear one end of the tickets and the chipboard ticket strip. Distress the edges of vintage tickets with black ink. Adhere the tickets to the chipboard strip, then adhere the woman to the ticket strip.
Next add foam adhesive squares to the back of the woman and tickets to add depth to the project. Because I didn't have any thicker adhesive foam on hand ( and was too lazy to go to the store), I stacked three adhesive squares together to give extra dimension. Line up the tickets with the embossed arrows to create a rocket. Adhere the woman and tickets to the inside back of your box.
Use a printer or typewriter to create your title piece. Cut into a rectangle, ink the edges with black ink and adhere to a black cardstock background.

Cut a rectangle of clear acetate, score in half and adhere to the back of your title piece to make an invisible stand. Adhere inside the carriage box.
Apply metallic silver paint to a foam blending tool and stencil assorted graphics to the side and back of your carriage.
Add black Dresden trim.
Your Ticket to Ride Carriage is now complete! I hope you were able to find a little inspiration or knowledge from this tutorial. Have a great weekend! -Betsy 

Great Stuff

Chipboard Ticket Strips
Moon & Stars String Alongs
Wheels
Stars from 2 Celestial Shape Sets
Rectangle from Four Panel Door
Cardboard box
Vintage tickets
Vintage ad
Black Tyvek
Deep Sea Baked Texture Embossing Powder
Silver embossing powder
Embossing ink pen
Black ink pad
Assorted stencils
Foam blending tool
Foam adhesive squares
Black Dresden trim
Clear acetate
Printer or typewriter
Paper straw
4 washers
Cold press watercolor paper
Black cardstock
White cardstock
Black gesso
Acrylic paints
Metallic silver paint pen
Beacon Fabri-Tac
Beacon Zip Dry

Thursday, February 21, 2019

There's something about bees . . .



I can't resist a good bee! Combining Gypsy Soul Laser Cuts bees and honeycomb with this new line from Prima was a sure-thing!

Wanting to layer tags, I used 2 different sizes of the Gypsy Soul Laser Cuts tags:  one from the XL Tag Set and one from the Large Tag Set. Each was covered with Prima's Spring Farm House paper.

The XL Tag was inked with Archival Coffee Ink. I used archival ink because I knew I was going to be spraying with water based sprays and didn't want the ink to run.



The Large Tag had a couple of treatments. You can see in the photo above that I first used clear crackle on the edge of the tag. Then sprayed it with 3 different colors of spray until I got the desired color. (I got so carried away with working on these that I forgot to take step-by-step photos.) All the layers were popped up with black Crafty Foam Tape.


 You can also see in the photo above that I used Gypsy Soul Laser Cuts Honeycomb & Bees. I used the honeycomb from the Small Set and the bee from the Large Set.

I painted the honeycomb with several colors of acrylic paint: First a coat of Quinadridone Gold; then a bit of Payne's Gray around the edges followed by a mix of white with the gold to lighten it up a bit.

Once the paint was dry, I used Seth Apter's Vintage Bees Wax on top of it all.



The bee was sprayed with a yellow spray then I used a Tim Holtz splatter stencil and painted dark brown spots. His body is made of an antique vial and a crown pin from Prima Marketing.


I needed a filler at the top of the tag so used Gypsy Soul's Leafy Cluster. One was sprayed with a light green spray and one with a dark green spray. After the paint dried, I used a cluster stamp with Coffee colored ink and stamped on top of the leaves. And of course followed that up with Seth Apter's Vintage Bees Wax.


After adding some ephemera from the Spring Farm House collection and a sprig of *I don't know what*, the tag is complete.

Thanks for visiting the
Gypsy Soul Laser Cuts blog today.


Wednesday, February 20, 2019

taming creative chaos

Hi everyone, this year one of my goals is to tame the "creative chaos" by getting my studio space more organized. I spent some time at the beginning of the year cleaning, organizing, and quite honestly, simply putting things where they belong. It seems that the more creative I am, the more of a mess my studio space becomes and the harder it is to find things that I have set aside for a specific purpose. To that end, I need a place to keep all of my handmade cards. I seem to have quite a pile and yet when a birthday or holiday rolls around, I am always searching. 
Today I am sharing this Gypsy Soul Laser Cuts organizer with you. There are so many ways that it can be used. The trim organizer is very generous in size. The base measures 11" by 5" and has a central divider creating two equal compartments. These compartments easily fit A2 cards, and even slightly larger. The organizer comes with 12 dividers. These are shaped like flat bobbins, so could technically be used to store ribbons or trim; however, I am using them as simple dividers between types of cards. The box arrives arrives flat (6 pieces) and requires assembly. The twelve bobbin cards can be used as bare chipboard or finished with paints or papers as I have.
I always find it easiest to test assemble the piece, this way I can better understand what areas will be visible as well as facilitate the order in which things should be glued. I sort through my paper stash and select a design that I think will work well for my purpose. The interior surfaces can be covered with smaller sized pieces; however, a 12x12 sheet will work best on the long exterior sides (one sheet will cover both the front and the back.)
Before I begin adhering my chosen papers, I paint all of the edges with black soot paint. This will create a finished appearance along the edges where the different papers meet as well as conceal any cuts that may be just a bit too short. Then I begin cutting the papers to size. Oftentimes, when there are multiple sized pieces and they are close in size, I turn them over and give them a designation (letter or number) then also write that onto the chipboard at the location it will be adhered. It helps to keep everything from getting mixed up when it is time to assemble.
I like to add may papers to the Chipboard pieces white they are flat. I find it easier to adhere the papers correctly and, when necessary, weigh them down until dry to keep the edges from curling. On this particular piece, I realized that it would work better to attach the two long exterior paper pieces after the box was assembled. There are no "right" and "wrong" ways to assemble the Gypsy Soul Laser Cut pieces, generally whatever works best for your project. The main piece of advice I always follow is: to ensure the tabs are able to connect easily, do not cover with paper, the added thickness generally does not allow for the tabs to insert into one another.
Once I have all of my paper pieces adhered to the interior surfaces of the box pieces, I begin to assemble. I spread clear, quick dry multi-purpose glue on the tabs and flat areas to be joined, then insert the tabs into the corresponding slots, beginning with the central divider. Next, I attach the front and back box sides and clamp together at the central divider until dry.
The final pieces I assemble are the two end pieces. I use clamps to secure these as well; however, it is not necessary.
With the box assembled, I add the final papers to the front and back exterior sides. (Note: I always ink the edges of any cut pieces so that the white does not show.)
I consider adding feet to the base of the box for a more decorative look, but decide on adding a piece of crafting felt to the very bottom of the organizer. This will allow the box to be situated on a solid or wire shelf, as well as protect any surfaces that it will be set upon. Once assembly is complete, it is time to begin work on the bobbins. 
 My original thought was to divide by months of the year (there are 12 dividers/months), but I believe what would work best for me is to sort by occasion or theme. To this end, I keep the dividers simple. I have learned over the years that my storage solutions are often evolving and this will allow me to change things up easily (if necessary) at a later date. I select some of my favorite worn wallpapers, and paper stash designs for the bobbins. The edge of each bobbin is painted with black paint and allowed to dry. One side of the bobbin is coated with collage medium, I secure the desired paper in place, and weigh down until dry. Once dry, I trim the paper edges with an Exacto knife. All of the bobbin pieces are covered on both the front and back sides.
 
I finally have a special place where I will be sorting and storing miscellaneous cards I have made. There will be no more searching amidst the piles, only flipping through my organizer to find the correct one.
I hope that you are finding time to get creative this year, I have found that even in organizing there are ways to exercise my creativity. Thanks so much for stopping by, I truly appreciate it.
~Ann
  xx


Gypsy Soul Laser Cuts:
trim organizer

Tuesday, February 19, 2019

Waiting for Spring Display Tray Dome

Hello all! Lora here for Gypsy Soul Laser Cuts! I love winter. But with all the bone chilling rain we have had, I admit I am beginning to look forward to spring. Here is a little dream of spring.....
I began with the Display Tray Dome.
The Henna Doodles 2
And the Delicate Frames and Ornaments
I gave the front of the dome tray, the Henna Doodles and the Delicate Frames a coat of gesso and then a good coat of white acrylic paint and set them aside to dry.
Using the back of the Dome Tray as template, I cut paper for the front and back side.
It looks pretty already!
I set it aside and started making fun little components for inside each of the frames within the tray. I used the Graphic 45 Flutter papers...perfect for spring.
I played around with the layout until I liked where everything was placed. Some things I used and some I didn't. I have a pretty box I save all the bits and bobs I don't use for another day.
I placed the top of the display tray dome on the back piece and lightly traced around each of the frames to give me some reference on where to glue things down. Then did just that, making sure to adjust things as they fit within the confines of the frame. Then I glued the frame down.
After things dried, I attached the Henna Doodles to the frame and added little details with some Stickles Cosmos glitter glue.
As you can tell in this photo, I used a lot of foam tape to make things pop off the background and give the piece some depth.
Come on Spring!

SUPPLIES
Display Tray Dome
Henna Doodles 2
Delicate Frames and Ornaments
Graphic 45 Flutter Collection
Acrylic paint
Gesso
Stickles 'Cosmos'
Ribbon and bead for hanging the piece
Thank you so much for stopping by!



Monday, February 18, 2019

Wear it again tomorrow

Hi Guys,
Jess here today.

I've been in a bit of a snarky mood lately and when I saw this lady I knew she needed to be used for a project.

I started by taking my Laurel Frame and covering it with a layer of gesso using a foam brush.  Using the same brush I added some Dina Wakley Paint.  I didn't clean the brush between uses so there was still gesso in there creating different shades of blue. 
Using the script stamp from the Tim Holtz Entomology Set(CMS328). I stamped across the frame in Hickory Smoke Oxide Ink.  I sealed the ink using Micro Glaze. 
This photo was cut to fit inside the frame.
For the back panel I used a 5x7 canvas board and loosely painted it using the paints pictured.  I added some stamped bits from the Time Holtz Mini Media Marks(CMS364).  These were done with Archival Ink in Black Soot and Hydrangea.  Before I finished my project I added in a bit of Victorian Velvet Distress Paint to pick up the pink you see in the background piece.  
To mount the photo I used a piece of humble cardboard.  Peel parts of the top layer to expose the corrugate and then cover with gesso.  I did a couple thin layers to cover all of the brown.  I added some collage paper to the bits that still had the full cardboard using collage medium.  To color the cardboard and collage paper I used Distress Crayon(Victorian Velvet, Cracked Pistachio, Worn Lipstick, and Gathered Twigs) and water to give it a dreamy hazy look. Pearl details were added to the frame and the snarky sentiment. 
To complete the piece I painted a set of  Mini Petal Corners using Dina Wakley Ancient Paint.  
 A couple close ups of the finished details. I ended up going back with Jet Black Archival ink and restamping the script on the frame.  I added a bit of DIstress Crayon in Gathered Twigs to dinge it up.  There is a teeny bit of the Dina paint in Ancient on there too. 
I love the grungy look the cardboard gives. 

Layers and details.  
I hope you like her and take her sage advice!
Jess