Showing posts with label Distress Inks. Show all posts
Showing posts with label Distress Inks. Show all posts

Wednesday, March 20, 2019

nesting place


Hi everyone, it's Ann here today, sharing "nesting place" a project inspired by the start of spring. We have had glimpses of what is to come with some very warm days, which have  helped the daffodil bulbs begin to peek out of the ground. Spring is my absolute favorite season of the year and today marks its official start.
My "nesting place" is created using the Gypsy Soul Laser Cut mini shadowbox 3. This piece is fairly small, which was just the right size to house my nest and eggs. The mini house shadowbox 3 arrives in 6 pieces and requires simple assembly. For this project, I have also used tiny shingles standard on the sloped roof to give it an authentic house feel.
Once I have all the pieces laid out, I find the papers that I want to use to cover the sides and back of the house. I trace the outline of the (interior) surfaces to be covered and cut the paper to fit within the tabbed areas. This allows the pieces to fit securely together when assembling the house. When tracing the pieces to fit on the exterior surfaces, I keep to the outside edges. These pieces are adhered once the house sides and base are glued together. They will cover all of the joints to create a finished appearance at the edges.
While the box portion of the house is set aside to allow the glue time to cure, I begin work on the roof pieces. Both sloped chipboard pieces are painted brown, and while drying, I begin inking the shingle pieces. the tiny shingles standard are the perfect scale for this house. Each row is cut to the proper length and inked with brushed corduroy distress ink. This gives the look of real wood shingles. When the pieces are ready, they are layered onto the base. I begin at the eaves and layer each row on top of the next until I reach the peak of the slope. 
Note: one of the slope rectangular pieces is slightly longer than the other. When assembling, this piece extends above the second sloped piece at the peak. I attach the shingles to the second side and the last layer of shingles meets right at the roof ridge. 
A piece of thin dresden is adhered along the front edge of the slopes. This entire assembly is set aside to dry completely before being attached to the house.
I rub a small amount of gel stain into an old thread spool. When the stain has dried, I secure a piece of crocheted lace around the spool with distress collage medium. The spool is then attached to the center of the base of the house to raise it up. 
I twist some raffia and twig roping into a circle to create a small nest. I add a lot of glue to the base to keep the shape and set aside to dry. Three mini decorative eggs are coated with glue then covered with gilding flakes. These eggs rest at the center of the nest. 
A clipping sticker is cut to fit and attached to the rear of the house reading, "the pretty little birds chirped" and at the center of the bottommost house edge, a chit chat sticker reading, "home."
I hope you have enjoyed learning how I created "nesting place."
Maybe you are inspired to create your own spring project? If you do, the GSLC team and I would love seeing what you create! Please share it with us on the Gypsy Soul Laser Cuts Craft Group on Facebook. You can find it here.Thanks so much for taking the time to stop by today, 
I really appreciate it!
~Ann 



Gypsy Soul Laser Cuts used:

Monday, August 20, 2018

Creepy Critter

Hi Everyone,
 Jess here today.

 I promise next month I will get back to doing step by step photos for you.  Work has been a bear lately and I have hardly had any time to create.  I wanted to get a bit spooky though.  It's cooling off around here-it's been under 100 degrees at least twice!

To begin cover your Reliquary- Arch Top with a thin layer of gesso.  Then layer on your inks.  It is key to allow time for each layer to dry naturally to achieve the faux marble look. Using your blending foam, apply a layer of Pumice Stone Distress Ink and then add a bit of Espresso Distress Ink.  Spritz these layers with water.  Once they are dry add Distress Oxides in Iced Spruce, Hickory Smoke, and Black Soot.  These are applied one at a time and spritzed with water.  I switched back and forth between using the blending foam and just stamping the pad directly onto the arch.  Using the pad I was able to get some veins in the marble.
Add your paperdoll and bunny head charm.  Set the piece aside to dry.

Cover the Extra Large Tag with a piece of patterned paper.  Use Distress Oxides in Hickory Smoke and Forest Moss to get the mottled effect.  Edge the tag using Walnut Stain Distress Ink.  Socre the bottom of the tag to create a bend. 
Use the large piece from the Layered Flourish Aria.  Paint the back piece using Tarnished Brass Distress Paint.  Paint the front piece using Sterling Distress Paint.  When the paint is dry pounce on Alcohol ink in Patina, Mushroom, and Latte.  Glue the two pieces together and adhere to the top of the tag.  
Using the same colors of Alcohol INk color your gravemaker and attach to the arch using brads.  Glue the arch to the bottom of the tag.  
Cover the base of the tag with moss and add some skulls and bones.  Paint the Meadow Flowers using Forest Moss DIstress Paint.  Stipple on the same alcohol ink color you used before.  Cut the flowers in half and adhere them to the back of the Reliquary- Arch Top.  

Your creepy masterpiece is complete!
I hope you enjoyed this creepy tutorial.



Wednesday, May 30, 2018

Treasured Memories

In this day and age, with electronics so prevalent, the art of journaling and capturing moments to be remembered or reflected upon, is becoming ever so popular. There are many options available, even albeit, electronic ones; however, when I saw this mini trifold, I thought right away, what a perfect opportunity to create something that could catalogue an experience in a truly special way, something that could be treasured for a very long time.

This wonderful trifold pocket mini from Gypsy Soul Laser Cuts, is a great size to manipulate. It arrives flat with score lines already in place for easy assembly. I crease along the pre-scored lines and  fold the bare journal into shape so that I can get an idea for the surfaces that I will be working on. This makes it easier to envision which planes are internal vs. external, as well as adjacent and opposite, which allows me to generate ideas and envision how I hope the journal will look completed.
With a concept in mind, I search through my stash of papers and select a variety of pieces that work well together. Ultimately, I choose a patterned paper from the Memorabilia Paper Stash by Tim Holtz to be the main motif and set the color scheme. I gather coordinating inks and create some of my own handmade background papers to join the mix.
The trifold has three distinct interior sections with flaps. It is a very versatile piece; the flaps can be made into pockets, or used with some sort of closure to create tabs that lift and open. You can also remove or modify a flap for even different results. You will notice that I modified the flaps in varying ways. I altered the middle section flaps to create two mirrored pieces. To do this I trace the chamfered flap to create a template, which I then trace onto the larger flap and then cut into shape with scissors. The exterior face of these flaps are covered with the main paper pattern. A circular disk of the handmade background paper is secured to each flap with an eyelet. These discs are the basis of a string closure for this middle section.
I know that regardless of the layout, whenever the trifold is open flat, this middle panel with be the focus. As such, I want this panel to showcase a stitched slots die. This die cut offers "slots" that pieces of memorabilia and ephemera can be slipped into. This works so well for a folio that will store treasured memories. I cut this piece from the main patterned paper and layer it over a solid paper and then layer this onto one of my handmade, oxide ink backgrounds. This background piece extends along the interior of both flaps, as well as along the interior fold seams. The edges of both inside flaps are stamped and embossed. A flower die cut piece is adhered to each interior flap.  It is important to note that as I am creating the pieces for my trifold, I do not attach any papers or pieces until I have completely resolved the layout.
The next sections that I focus my attention on, are the side panels. I want to play off the floral design in the main paper.  To do this, I chose a flower design that I have matching stamps, stencils and dies of, knowing that I will be repeating the pattern throughout the project. This offers many different possibilities, while maintaining a common design/theme. I love using this technique in projects, I feel that it creates a very diverse yet unified design, and adds a lot of interest. I generally tend to retain a common color scheme as well, whether I use paints, papers or inks, it is carried throughout a project. This really keeps everything cohesive.
Using a stencil, I apply crazing medium through the openings with a palette knife. This is set aside to air dry. While it dries, I work on the flap that will cover this panel when closed.
The first thing I do is cut a decorative edge on the flap. To create the edge, I trace  along a die that is the shape I am looking for. I feel that this makes the flap coordinate better with the half circle of the first panel and the chamfered edges of the central portion. Once the pattern is drawn onto the chipboard, it is easily cut with a pair of scissors. I use a floral mixed media die to cut an opening in a piece of coordinating paper. I then chose a different paper to layer under the open areas. This "under" paper is stamped with  matching floral stamps in iced spruce Distress Oxide. I also randomly stamp some script text on the paper with the same ink. Before combining the layers, the word "cherish" is die cut from the top paper and adhered in a "shadow" fashion. I use gold to highlight and accent both the open cut shapes as well as the word. When the trifold is complete, this flap will be secured in place with a ribbon closure. I color seam binding ribbon with the iced spruce oxide ink to coordinate, and secure this ribbon to the flap prior to attaching any layers onto the flap, thus making it more secure as well as concealing the end.
The underside of this flap is covered with a piece of the main patterned paper. The paper is cut to shape and then inked around the edges. An ideaology ring fastener is attached at the top center of the piece before it is adhered to the chipboard. This ring fastener will be used to secure some tags created with both of the "flap" papers.
When the crazing on the background panel has completely dried, I re-place the stencil and rub distress ink into the crackled areas. I also rub some metallic distress crayon into areas of the flowers to create highlights. This is allowed to dry and then some of the brown inks that were rubbed into the cracks (brushed corduroy and walnut stain) are flicked onto the panel. The metallic distress crayon is mixed wth a bit of water and flicked onto the background as well. I layer this composition with another piece of paper, in a darker hue, that I have die cut using a stitched rectangle die. For this section, I decide to use the bottom flap as a pocket. The entire layout is adhered to the panel prior to securing the sides of the pocket. Please note that in order for a larger area of the crackled design piece to show, I cut down the pocket height. The pocket sides are attached using a hot glue gun. The exposed face of the pocket is covered with more of my handmade, oxide inked paper. A second piece of colored ribbon is attached to the back of the main panel (prior to adhering the trifold's cover paper) so that it is concealed.  The two pieces of ribbon can be tied into a bow to secure the panel in the closed position.
The second side panel utilizes a magnetic closure method. The bottom, rounded flap contains a concealed magnet that is attracted to another concealed magnet in the flap. The outermost portion of this flap is covered with the lighter hued solid paper that is stamped with the script text stamp in iced spruce oxide ink and clear embossed. This is partially covered by a section of a doily, die cut from green parchment paper, that is inked and stamped with the script text stamp in iced spruce. The inner portion of the rounded flap is also covered with a piece of the lighter hue paper which is stamped with a sentiment that I feel perfectly fits the concept of my trifold: "Always be on the lookout for the presence of wonder."
The exterior of the top flap on this side, is covered with a patterned paper that depicts a woven pattern. I cut strips of my handmade, oxide inked paper, the same width of the weave pattern and slice the paper at the intersecting areas to allow the inked strips to be woven through. I weave the strips through and cut any protruding edges. I love how this adds interest to the flap panel and also helps carry the inked background paper throughout the trifold. This complete woven panel is inked around the edge and adhered to the flap with dimensional foam tape allowing the magnet piece under it to be concealed completely.
The interior side of the top flap is covered with the darker hue paper that is stamped and embossed with the script text. Along each side a trim stamp is embossed in gold. The center of this panel contains a die cut of the lighter paper secured atop the remaining sections of the doily. Before securing in place, an index clip is located along the edge to hold a ticket strip cut from the main paper. A coordinating flower die cut is also attached.
The central interior panel of this side is covered with the main paper. a small woven packet, created in the same manner as the outside flap, is centrally located. It holds a strip of journaling tickets that have been stamped and embossed to coordinate. A story stick is adhered onto the bottom corner to complete the panel.
Once everything is assembled and adhered, I cut a strip of the main paper to fit the outside of the trifold. The paper is 12" long and when it is wrapped around the outside surfaces, I notice that it is a bit shy in length to cover the entire length. I chose a piece of coordinating solid paper and cut it with the stitched die. I then add this decorative-edged paper to the end sections where the main paper is a bit short. The main paper is also edged with the stitched pattern and adhered.
The inside view when it is unfolded, but each section is securely closed: 
Some close up views of secured and unsecured sections:
I want a way to secure the trifold when it is completed and tucked away, but don't want to have it be overly fancy, especially since I may want to place it onto a bookshelf. I consider many options, and ultimately decide to dye a length of 3/4" elastic with Distress Ink in brushed corduroy. When it is dry, I cut the length to overlap when wrapped around the folded journal. I sew both ends of the elastic in place. Using a cabinet card from my stash, I remove the back panel and fussy cut around the design that surrounds the opening. Using a piece of the darker hued paper from the project, I die cut another flower; remove the die cut and replaced it with one that is cut and inked from a different paper (also used in the project). I add gold highlights, and mount this within the opening. Another paper slips through the overlapping area of elastic and is secured to the back of the cabinet card, securing it in place. This creates a fairly flat piece that slips on and off the trifold when not in use. It finishes off the journal exactly as I hope.
I really love the way this trifold came together, The colors and the patterns are gorgeous together. I think it will present the perfect opportunity to store some treasures and special memories. 


I hope that you are inspired to create your own mini album, they take a lot of planning and design, but I believe they are absolutely worth the effort!
Thanks so much for stopping by today.
~Ann

Gypsy Soul Laser Cuts used: TriFold Pocket Mini

We have a Facebook Group where you can share your Gypsy Soul projects, we would love to admire and be inspired by your work. If you're interested click here, we hope to see you soon!

Wednesday, April 18, 2018

Amphitrite "queen of the sea"

Hi, it's Ann here today, sharing my "queen of the sea" inspired piece.
It seems as though the longer the winter weather continues to hold on, the more my thoughts drift towards the ocean. These thoughts bring visions of the soothing blues and greens of the depths; and of sea nymphs, beautiful fish, coral formations and shells, and of Poseidon. As the legend goes, Poseidon had a wife/consort whose name was Amphitrite. She was considered "Queen of the Sea".
 My project begins with Gypsy Soul Laser Cuts chipboard decorative tags X-large. This set of tags contains 3 different shapes that are very generous in size. I know that they will be able to hold my beautiful Amphitrite perfectly. I am using the tags as a trio for my piece; however, they could be used individually or even paired up.
Once I have an idea for the direction I want to take, I select a paper to use for the background. The chipboard tag is heavy enough to handle medium on one, or both, sides of the tag. When I create tags, the back sides usually end up covered with paints and inks, so I plan to cover the back sides as well as the front. I am using a Prima paper from the Royal Menagerie collection on the front sides of my tags. Before I begin, I choose colors that will coordinate nicely with the front paper and, using distress oxide and distress inks, I color a large sheet of watercolor paper. This will be cut to size and adhered to the back of the tags after I have completed the front of my pieces.  
I first adhere the paper to the front of the tag using collage medium. I like to use a brayer to assure there are no air bubbles, as well as to flatten out the paper. Once the collage medium is dry, I trim around the edges with my Exacto knife. I then use a standing block to rough up some of the edges. I ink the paper with Distress Ink in salty ocean, tumbled glass, mermaid lagoon and cracked pistachio; spritz with water, then allow to dry completely.
While the backgrounds are drying, I gather my stamps and some Bristol cardstock. Using my stamping platform, I stamp mermaid parts and heat emboss them with clear embossing powder. This ensures that the edges stay crisp when I color the images. The stamps I am using for the mermaid and shells are from the Character Constructions She Sells Seashells Collection by Catherine Moore. I also stamp the octopus, fish and seahorse onto Bristol and clear emboss. The seaweed, coral and sea creatures are all part of the Tim Holtz Sea Life stamp set by Stampers Anonymous.
Once colored, all of these pieces are fussy cut, assembled, embellished, and set aside.
I want the piece to include some real shells to give it more dimension. I gather a few shells from my stash and paint on some with Dina Wakley acrylic in Gilt. As this dries, I paint some embossing ink on the bottom of the tags, sprinkle with dirty sand Baked Texture embossing powder by Emerald Creek/Seth Apter, and heat emboss, while it is still warm, I add bit more sand to some areas, and then let cool completely.
Using the stamping platform, I arrange the tags side by side and decide on placement of the seaweed and coral. These are stamped using archival inks in fern green and sepia.
I play with the arrangement of pieces to figure out the perfect location for the title "queen of the sea" which will be stamped in cornflower blue archival ink directly onto the tag. To ensure that the image is placed correctly, I first do a sample stamping, which I can use for placement of the individual letter stamps. I then remove the sample before inking the rubber stamp and stamping directly onto the tag. The letters I use are from the Tim Holtz Worn Text stamp set by Stampers Anonymous.
Once this is dry, I place the pieces back onto the tags in their appropriate spots and finalize the layout. To counterbalance the octopus in the upper right, I add a "rusty" anchor on the left. The anchor is a wooden piece that I have heat embossed with chunky rust Baked Texture by Emerald Creek/Seth Apter.
Everything is glued down and allowed to dry overnight. I am unsure about how I will attach the panels together, so I color some crinkle ribbon with the same inks used on the background, spritz with water and dry with a heat gun. This may be woven through holes along the seams of the tags. My other consideration is to use some fishing net.
I ultimately decide on using the fishing net.
The net is glued along the back side of all three tags, tying them together.
Thanks so much for stopping by the blog today.
I hope that your thoughts inspire you to create something wonderful.

Be sure to share your Gypsy Soul creations with us on the Gypsy Soul Laser Cuts Craft Group on Facebook. We would love to see what you are up to!
~Ann

Gypsy Soul Laser Cuts Used:
Chipboard Decorative Tags X-Large