It Could Be A Fairytale

Hello all! Lora here taking my turn for Gypsy Soul Laser Cuts!
This triptych is definitely telling a story. But what is it? When I started making it, I really didn't have anything in mind, but the more I looked at it, the more it became something.
I showed it to my sister and she said (roughly) "He's reading the flower like tea leaves and he can see her in it. Blue sky and green grass turn dark and wicked. Ooh."
Fabulous!
Better than anything I thought up.
What story do you see in it?

I started with the Arch Top Triptych 8 Inch.
I cut my papers for the backs of each piece and set them aside.

I cut four pieces of linen hinge tape about 4 inches long. (you can get it HERE)
Line up your triptych pieces and make sure all the bottoms are even with each other and attach two pieces of the tape to the chipboard to connect the pieces. making sure the tape is pretty even as well.
Then I turned the piece over and attached the other two pieces of tape, going into the dip between the chipboard pieces so I had a solid connection with the exposed sticky bits of the tape on the other side.

I glued the paper I cut to the back side of the triptych.
NOTE: the three components of the triptych are slightly different from each other, so I used EACH one as a template for the paper I cut. That way, all the bottoms and outside edges fit. I set it aside.

Next, I gave the arches a good coat of gesso. I love gesso.

After the gesso dried,  I painted the arches red. I really like Golden's Napthol Red Medium.
I let it dry completely. And then!!!
And then....because I wanted a little added richness, that super bit of drenched color, I painted a coat of Quinacridone Magenta on top of the red.
Oh, double biscuits, is it ever pretty!
I set it aside and let it dry.
After I stopped staring at it.

Then I started playing with bits of torn paper and the original image that got me going in the first place.
I made gently sloping hills and began drafting my collage, letting it unfold and bring in the red arches from time to time to check overlap and flow.
This is where I started.......

And this is where I ended up.
In the picture below, nothing is glued down and no fine details are added.
I usually take a picture at this point as a reference for where everything goes before I take it apart and glue things down.
Next, using matte medium (I use either Liquitex or Golden Matte Medium) I attach all the paper bits one layer at a time.
After it dries completely, I put on at least one coat of matte varnish. Two is what I do mostly, letting each coat dry thoroughly before applying the next one.
Varnishing your pieces is really important for permanency. Paper is ephemeral and varnishing gives it a lot longer life, and makes it as waterproof as paper can get.

After the varnish dries, I glue the red arches on the triptych. Make sure you glue them on the correct pieces.
After the glue dries, I applied another coat of varnish, back and front. (for this piece, this was the second coat of varnish.....I wanted to make sure the arches got a coat as well)

I added painted details, like all the little dots and swirls and painted in the stones on her head piece...

making sure I added those same detail dots and swirls to the wizard's panel for continuity.
and added a few metal findings at the top of the arches.

Don't for get to sign your work!
Also, for anyone that is interested, the image of the woman is called 'Head of a Lady in Medieval Costume' by Lucien Victor  Guirand de Scevola. Painted about 1900.

SUPPLIES
Arch Top Triptych 8 Inch


Graphic 45 French Country (for the sunflowers) Communique (cream and black harlequin for the hills)
Ella and Viv Watercolor Paradise Scrapbook paper (the sky)
Bo Bunny Double Dot Vintage (for the hills)
Acrylic paints
Varnish
Matte medium
Metal findings

Thank you very much for stopping in!